Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

11.08.2012

AMS/SEM/SMT New Orleans 2012


Last week, John and I traveled down to New Orleans for the academic conferences we normally attend, except this year, all three of them happened at once: AMS/SMT/SEM, aka 


THE TRIUMVIRATE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


We had a pretty good time and saw a lot of interesting papers. I think my absolute favorite was an SEM panel on women who play guitar in various pop/rock music settings, and the gender implications. It turns out, if you are a black woman playing guitar, people feel free to come up to you and say racist/sexist things while you're playing, or otherwise insult you, or put money into your jean pockets as though you are a stripper. The panel included three smart women talking about their field work, one of whom is from Toronto. After speaking with her, I decided we have to try to get her to come to UWO to speak. 

My second favorite (though in some ways better than my favorite, it's hard to say) was another SEM panel on music in prisons. Unfortunately, one of the presenters was unable to attend, but the two who were there did an excellent job. The first spoke on music as a way for women in a Louisiana prison to create private spaces and maintain relationships with other prisoners while incarcerated. The author was simultaneously working on a documentary about the same topic, so he played some clips of the women who he spoke with, and it made his paper very moving. The second presenter spoke on his own experience as an inmate in a prison in NY state. Once he started talking, I immediately wanted to ask him a million personal questions, but shied away. Somehow this guy ended up serving a 6 month sentence after earning a PhD at NYU, so there must be an interesting story there. His paper focused on the way men used the special music room available at the prison, and it was also a very personal, moving story. I almost didn't make it to this panel because of the CSW 7 AM breakfast, after which I'm almost always exhausted. But I'm so glad I stayed up and went to it. 

I also went to the Committee for the Status of Women breakfast and lunch meetings, and had productive discussions at both. I have high hopes for a good session at the 2013 meeting in Charlotte. I think I've mentioned before that SMT has a pretty awful gender discrepancy, and the CSW always has a thoughtful discussion about it at our lunch meeting every year. For next year, I'm hoping for us to extend that discussion to the actual paper session that we get on the program, so that the relatively private lunch isn't the only place where that conversation happens. 


Saturday night of the conference usually involves a bunch of parties hosted by different universities. Before we started party hopping, though, we went with our friend Anna (who also delivered a pretty great paper!) to a reception/sing-along hosted by the North American British Music Studies Association Reception and Musicale, where they had free finger food (alligator sausage), beer, wine, and a booklet of part songs. This was one of the most fun and memorable parts of the weekend, especially getting to see so many academics trying to sight read after 2-3 glasses of wine.  

                       








Especially these academics:



                                  









Of course, we spent a lot of time wandering around New Orleans, especially on the first night we got there: Halloween.





















We traveled with our new friend Ian, a masters student at Western. He and John eventually settled on drinking "hand grenades" while we were walking around Bourbon street. I think it was at this point that another colleague, who shall remain nameless, shouted, "What makes a conference better? Street drinking!!!"

We ate a bunch of different good restaurants. For lunch: Remoulade's, not far from the hotel. Dinner: Bourbon House, actually attached to our hotel. Ian tried a sampler flight, and after dinner we both had "bourbon milk punch," basically a bourbon milk shake. John also had raw oysters basically every chance he got.























(Milk punch, above, John with oysters, below)











We also made our way to Cafe du Monde twice for beignets, coffee, and hot chocolate. 
(Here's a half-eaten beignet, below...I think I will try to recreate this at home at some point)






Also dinner, somehow not pictured: El Gato Negro, for Mexican food. They made guacamole at our table and served us tasty margaritas in to-go cups. I also had a pretty sweet veggie taco there with squash and tomatoes. 



John and I stopped in to Cafe Beignet so that he could get espresso at one point. Even though the pastries looked amazing, it was the near the end of our trip and I was starting to feel kind of gross from so many days of really heavy food.












On Sunday morning, we were able to eat at the Green Goddess, a great place for vegetarians and omnivores alike. I had some amazing grits and sweet potatoes biscuits (yes, carbs only for me, thanks). It started pouring while we were there, so they moved us inside to a very small courtyard. I took a picture, looking up:














Sunday afternoon, John and I went to the Audubon Aquarium for a mental break from music.
They have a big, scaley fountain in the lobby.












We spent some time in the Amazon rainforest section, which also had some big catfish. 

































They also had a lot of beautiful sea horses. We watched them swim and wrap their tails around these stems, then lick the algae off of them (I guess? Who knows what they eat?).













They also have a big "Carribbean" tank with a lot of rays, giant fish, and a bunch of sharks.










Oh yeah, and this awesome sea turtle.










Sunday night, we walked along the street a final time and saw the gallery belonging to this artist, whose dog painting is all over town:





















I think my only real regret is not seeing inside St. Louis cathedral. Another time, I guess. Here's part of the back at night. My other regret would also be not completing a conference Bingo, but that's my next post...




12.31.2011

Niagara Engagement Vacay

WOOT! We're engaged! Several of you probably knew that we were headed to Niagara for vacation, but the engagement plan was in the works the whole time. Here's the long version of the story.

John and I decided a while back that he should get an awesome...thing when we got engaged, since I got a beautiful ring with a pearl that my mom brought back from Japan over 40 years ago (another story).




With historic items at the Niagara Historical Society Museum.














After a lot of discussion, it was decided that we would go on an awesome vacation to Niagara on the Lake, which would serve as the setting for us to actually get engaged. We had a wonderful time there in April and we were excited to go back.





John with other historic items in the War of 1812 gallery. The Niagara region in Ontario was the site of a lot of War of 1812 action. And you know what that means - 2012 is a big year! An issue for a separate post, I'm sure.




























We arrived in NOTL in time for some afternoon touristing and wine tasting. Our first stop was the historical museum, where we saw (among other things), a small table made in Paris during Rameau's lifetime.

























We stopped at this gazebo on Lake Ontario for some pictures (part of John's plot).







































He reviewed his notes while I snapped a few shots, and then he awkwardly said, "Hey...it's time." And proposed.

That night we had dinner at the Ravine Winery Bistro, concluding with chocolate pot de creme.

















Ravine was our favorite dinner of the two, though we also had a very nice meal at Strewn Winery. We tasted wines at both Reif and Stratus wineries. I think Stratus, the relatively new place with a modernist design scheme, was our favorite over all, though Strewn is arguably a better deal for their inexpensive, delicious wine. We fit in a 3 mile run along the Niagara parkway on a chilly cloudy morning, followed by fabulous diner breakfast for $3.50. This vacay was a good example of how you can take John anywhere - an upscale winery restaurant, followed by a cheap diner, and then episodes of Seinfeld at the hotel at night.

The vacay was the perfect start to our Christmas and a fun place for us to get engaged. By Friday morning we were itching to call our friends and family to announce the engagement, and we headed to Fort Wayne just afterward.



11.18.2011

Books for Fall 2011

Instead of a list of foods I made this week (mostly grilled cheese) or a list of random events that happened to me, I thought I could confirm my nerd status by making a list of things that have been going on in my brain parts. Here are some books I've been reading. As you'll see, they obviously relate to each other in a logical and inevitable way.*

1. Dialectic of Enlightenment, Max Horkheimer and T. W. Adorno (originally published 1944).
























Adorno and Horkheimer (or "Hork," as I call him in my notes) were 20th-century critical theorists. My advisor put the first chapter, "The Concept of Enlightenment," on my fall reading list, since I'm studying Rameau, the 18th-century music theorist (and the two obviously go together...*sarcasm*). In a way it was a really obvious thing for me to read in regards to Rameau, since they deal with the Enlightenment values that effected his theories - and I'd argue, as others would, that we still practice and teach music theory in a very Rameauian way. He's stuck with us like not many else have. So I've decided to take a social/cultural angle and study him, specifically the idea of Nature as something Enlightenment scholars wanted to master through rationalism. Dialectic of Enlightenment deals more with the idea that Enlightenment is a totalitarian phenomenon that commodifies our thoughts and our sense of self, and that enlightenment culture eventually led to the Holocaust. The more radical aspects of their theory aren't what interest me so much, but I am intrigued by their idea (similar to Foucault's) that when we "know" a thing, such as Nature, we dominate it. You could say Rameau did something similar, since he was obsessed with finding a natural source for tonality as we know it - the corps sonore.
The Dialectic is among the hardest things I've ever tried to read, but I would say that this translation by Edmund Jephcott is more readable than others. I'd recommend it, if this is the kind of thing that floats your boat.

Enough. I'm sure you're thinking, "Save it for the diss."

2. The Nutcraker and the Mouse King, E. T. A. Hoffman (1819-21).

























After I looked into the Nutcracker performances in Toronto, I learned that E. T. A. Hoffman wrote the original story. That kind of blew me away, since most of what I know about him I learned from IU's trippy production of Tales of Hoffman a few years ago (could you do a non-trippy version of that opera? Maybe, but it'd be boring). But then I realized that it makes total sense for him to written the Nutcracker, since it's plenty weird itself.
If you're into reading Christmassy things this time of year (as I'm wont to do), I would recommend this story. It's not very long, maybe 10 short chapters, and it was readily available to me through the UWO catalogue. The story is stranger than the ballet, though the book jacket and wiki tell me that the ballet is actually based on Alexander Dumas's "watered down" version of the story. Clara in the original story is named Marie and she's only 7 - which I know doesn't conflict with every production, since sometimes Clara is pretty young and not en pointe. But the story is really a coming of age, and little Marie definitely has some adult feelings for the Nutcracker doll when she realizes there's a prince trapped in there. I won't give everything away, but some highlights:
  • there are actually multiple battles, and Marie cuts the bejeezus out of her arm in the first one, so everyone thinks her fever made her hallucinate the whole thing.
  • there's a crazy story-in-the-story that explains how a princess is the one who originally gets turned into a nutcracker by the Mouse Queen; Drosselmeier and an astrologer travel all over trying to find a cure for her condition. Then they meet his cousin, whose son is involved in breaking the curse. Through a series of events, we learn that the younger Drosselmeier (son of his cousin) is the one trapped inside the little Nutcracker that Marie wants to save. Eventually, as in the ballet, they do make it to a land of sweets even more elaborate than any ballet production (obviously), including a sea of rosewater that has sparkly gold dolphins in it. Crazy.
  • All the romantic weirdness between Marie and the Nutcracker/Prince does explain the way some productions portray their weird relationship, since he's her Godfather, but he's sometimes in an awkward competition with the Prince for her affection.
Short and sweet, and I'd definitely recommend reading it if you've only ever seen the ballet, like I had.

3. Christmas Customs and Traditions, Frank Muir (1975).















I'm one of those obnoxious people who have to restrain their Christmas spirit until it's almost seasonally appropriate. This year I decided to temper my outward enthusiasm for Christmas by by reading a book about its history, and a brief search on the UWO catalog led me to this one. I don't know much about Frank Muir, but in preparation for this post I stumbled onto a blog dedicated to Muir fandom, so check that out if you'd like to know more.
I realized recently that this book combines a lot of my favorite topics: history, early Christian rituals, the Church's appropriation/adaptation of pagan rituals, all combined to be Christmas-specific. Muir covers a lot of the figures that you may associate with Christmas, like St. Nicholas and St. Stephen (you know him from the Good King Wenceslas carol), as well as Wenceslas, traditions like wassail, the boar's head, and the Yule log. He also describes lesser-known traditions like the Lord of Misrule, whose job it was in the Middle Ages to keep the party going from Halloween to New Year's, lest winter depress everyone, or the Mummer's Play that involved Santa Claus narrating a dual between a Knight and a Turk during the Crusades. I'm only about half way through it so far, but it's great for bedtime reading.

I'll spare you the other stuff I'm reading, since it's mostly for my proposal preparation and not for fun. These three are the most memorable of the semester so far.
What about you? Anything you'd like to suggest for my reading list? Or anything that shocked you when you read it? Or was wildly different than your expectations?




*spoiler - they don't.